Tag Archives: Daft Punk

Random access excitement

dp-videoteaserIt hadn’t occurred to me that other people don’t care. I’d not given a single thought to the fact that, outside the circular wall of my robot-addled brain, additional human beings inhabiting this planet may not give two (or even three) hoots about an impending album release.

If you’ve spent any longer than one minute in my company over the last few weeks, I’ve probably asked you if you’re as excited about Daft Punk’s forthcoming LP, Random Access Memories, as I am. The answer, without fail, has always been brick wall specific.

“No,” you said.

With some people, I left it there. These are, after all, friendships and relations I’ve built and maintained for many years, and I wouldn’t want two French robots to spoil them. That would be a shame. And an incredibly odd way for things to end.

Then there’s my mum. As we all know, mums know everything. For a very long time, we pretend not to believe this is the case, but, as soon as school becomes a distant memory and we’re thrust into the world of work, mortgages and the requirement to deal with other human beings on stuff which doesn’t involve reenacting yesterday’s Street Fighter battle or comparing Panini stickers, we come to the distinct conclusion that everything mum says is, in fact, 100% correct.

Mums also humour their children indefinitely and it was with that in mind that I recently raised the question of whether or not she’d heard Get Lucky, the first single from the album. She had, and confirmed that it was good, if a little repetitive. This was going well. Much better, in fact, than my previous attempts to make people like Daft Punk. So, I continued. If mum liked it, maybe all hope was not lost elsewhere.

A brief, but exciting (for me, anyway), recount of some of their earlier stuff followed. Less impressed, but – as mums always do – putting boredom to one side for the sake of her child, she continued to listen intently.

I showed her the Saturday Night Live advert with Nile Rogers jamming away on a glittery stage filled by shiny instruments, a shiny Pharrell Williams and two men dressed as, yes, shiny robots. It is at times like this that, for even the most ardent Daft Punk fan, the pretentiousness of it all briefly catches breath before being stuffed firmly back into the sea of suspended belief. It all looks a bit silly. For a moment. Mum seemed unperturbed, though, so I carried on.

I then went one further and showed my mother the grainy iPhone footage from the Coachella festival, where a short clip of Get Lucky was played on big screens to the thousands in attendance, somehow managing to upstage the real acts who had bothered to make a physical appearance. This is where it got tricky, because it is almost impossible to explain why this is so ultimately cool without, once again, exposing Daft Punk’s entire viral marketing campaign for the inherent silliness such an elaborate pre-album promotional monolith launch elicits. I think I failed here, not least because my wife entered the room at the exact same time and rescued my mum with a conversation about how much of a dork I am.

Putting that brief experiment to one side, I have now heard Random Access Memories and I really am blown away. Putting all the hyperbole and silly suits to one side, it is an achievement of simply unfathomable standards for two bedroom producers who have previously been far more at home sampling others (and they are the best in the game at doing that). It is also a record which will take time to settle in your mind. You may not develop a glowing opinion of it instantly; it is not made for instant gratification. And in this world of instant everything, bland R&B, pop and dance music and a requirement for all lead vocalists to have an irritating affectation in their voice, that’s a very good thing indeed.

Thrilling, surprising and fitting everything I love about music and production into one album, RAM is an instant masterpiece. Listening to it is like floating in a space station filled with Moogs, live drums, top session players and echos of Chic, David Bowie and Pink Floyd ringing with tape-saturated warmth in your ears. It is also a perfect reason to dust off your turntable and get the vinyl ordered; if there was ever a modern album which demanded that type of playback, this is it.

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Tron Legacy – pretty dull

Jeff Bridges at the Independent Spirit Awards ...

Jeff Bridges. The real one, without the strange CGI lips.

Heavy breather? Sinus problems? Perhaps he had a bad cold.

Nope, he was asleep.

Like me, the guy to my right had ventured to the cinema alone. We were kindred spirits. I was off work, trying to fill my last day away from the grindstone with something a little different. Maybe he was doing the same. Or perhaps he truly was a loner.

Regardless, he’d spent over £7 on a cinema ticket only to fall asleep.

Perhaps it was the film. Tron Legacy is, after all, a bit like watching an attractive screensaver for two hours.

As explained yesterday, I went to see it almost solely off the back of Daft Punk writing the score. This was a silly idea.

The problem is, the film’s soundtrack could only have been put together by Daft Punk. It was made for them. Not using the duo would have rendered the entire project pointless. Their fusion of synths and real strings was absolute perfection. But why is that a problem?

It fit too well, to the point where it was almost non existent. It wove itself so tightly into what is a technically impressive, yet dull film, that it simply became part of the shiny, pretty backdrop. That in itself is an achievement, but one I wasn’t really expecting. I was expecting it to make the film, being a long-time fan of the French masters of low pass filtering and having waited so long for their return.

Their cameo was amusing, if a little contrived, but even that did little to dampen my disappointment. All I was left with was a plot so narrow and unexplored that it sent my fellow singleton into the land of nod.

Worse still was the CGI sculpted head of the young Jeff Bridges, in this instance playing the baddie (I’ve already forgotten his name). Quite how a film costing in excess of £200m was unable to make it resemble anything other than a poorly operated glove puppet is beyond me. Sooty is more menacing.

Moans aside, it has to be said that it’s a stunning film to look at. Special effects rarely impress me these days, at least not like they used to. There’s rarely a Jurassic Park moment in today’s expensive blockbusters and while Tron Legacy isn’t quite on a par with that in terms of unique wonderment, it is rather pretty. The 3D is also nicely judged, adding a real depth to the film while not at all distracting.

Verdict? Wait for the DVD, but go and buy the soundtrack now; its better without the film.

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Daft Punk made me go to the cinema

Daft Punk

Daft Punk. See? They're real people.

I’m heading to the cinema tomorrow to finally see Tron: Legacy. And pretty much for one reason only.

Daft Punk have written the score.

I’ve not seen the first Tron film. Therefore, I have little interest in the history, nostalgia, plot or re-imagined youthful Jeff Bridges. No, I’ve simply heard some of Daft Punk’s work on the film’s soundtrack (including the excellent Derezzed) and want to see its effect on the video game-inspired sequel.

I’ve had a think and I’m pretty sure this is the first time I’ve been to see a film based solely on the soundtrack.What’s different this time? Why not wait until it appears on Sky? Well, the little I’ve heard of the legendary french duo’s cinematic knob twiddling represents some of their best work for the last ten years. After the slack Human After All, all I’ve had to satisfy my craving for the pioneers of filtered french house is their Alive live album (which is, in fairness, superb). But new material? There’s been zilch. Waiting for a Daft Punk album is exciting for me as it was for my dad eagerly awaiting the next Beatles release.

I shall report back tomorrow (still keeping this postaday2011 thing up) on the success of seeing a film based purely on the music that accompanies the pictures. I have a horrible feeling it might be a silly, silly idea, particularly after watching Kermode’s review.

I’m also heading to the cinema alone – another first – therefore I’ll report on just what a lonely experience it’s bound to be.

Still, better than joining the legions of depressed people heading back to work. That’ll have to wait until Thursday.

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